By Thom Rouse

Thom Rouse turns out to have an unbridled creative sensibility. during this e-book, he bargains up for assessment sixty of his favourite fine-art pictures. Rouse takes photographers behind the curtain of his artistic strategy, exhibiting the beginning point—always a portrait, captured via him—and then info the Photoshop instruments and methods he used and, occasionally, a few “accessory” photographs that he provides into the combination, to create a dramatically diversified murals. whereas the elements and tone of every photo fluctuate from web page to web page, Rouse strictly continues that his artistic method relies at the concept that each one murals needs to, at its center, stay photographic. In different phrases, his fine-art works are superior, stylized photographs that go beyond the bounds normally self-imposed by means of portrait artists. His aim in developing the publication is to coach and encourage different photographers—or, within the phrases of the artist—to “show you anything you haven’t obvious before.”

This e-book contains a selection of appealing photographs that collide with a wierd collections of elements—one portrait, entitled Shhhh, is coupled with decorative wood fish, goose wings, and components of an airplane; one other, referred to as Andromeda, makes use of complicated Photoshop mixing strategies and texture layers to create a Gustav Klimt-inspired consider within the photograph—to create a storytelling piece that elevates the portrait to an excellent artwork class. On web page after web page, you’ll become aware of how Rouse conceptualized the featured murals, the stairs he took to carry the concept that to existence, and the interestingly attractive inventive portrait result.

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Additional info for After the Camera: Digital Transformations for Conceptual Nude & Portrait Photography

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The pose was captured one hundred percent in camera, with all credit owing to the look and posing skill of the model. A single texture, a high altitude aerial from a commercial flight, was added over the subject layer in the Difference blending mode, resulting in a very significant change in color from the original capture. The new color and the sense of an electric charge created by the texture led me to the perception of Electra . Sometimes, I start with a detailed concept; in other cases, by improvising with a few minimal details, I let the concept develop from the process of playing without expectation.

Obviously, the technique can be used on any texture and object combination, not just butterflies and torsos. A torso The butterfly image used to contract the texture overlay Butterfly Torso , finished image 28 Balthus M egan Camper has modeled for my images many times and I prefer to photograph Megan in her home because it has a history of our many collaborations. Her home is comfortable, though not a lavish show place, and we have managed to create some elaborate transformations of her space. The image Balthus was initiated during a break while shooting for an entirely different concept.

1 Infinite Turtle Theory I nfinite Turtle Theory is an image for which the title came first and the visual concept later. I have a number of such images, and I keep lists of titles that I review when I舗m stuck for inspiration. It seems that many visual artists have taken inspiration from writers, while at the same time many writers have taken inspiration from visual art. The Greeks called it ekphrasis ; the description of one art form by another through words. But we make images because for some things there are no words.

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