By René V. Arcilla
Explores the modern pedagogical importance of modernism.
Read or Download Mediumism: A Philosophical Reconstruction of Modernism for Existential Learning PDF
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Extra info for Mediumism: A Philosophical Reconstruction of Modernism for Existential Learning
And would not experiments in tackling problems that address too the higher mystery—that live that mystery—also contribute to that understanding? A reason for acknowledging questionable existence rather than denying it would be my sense that I am most authentically myself when I experience existence—existence that is not restricted to any particular state of affairs—consciously. This is what makes me, a creature of changing circumstances, also human. Understanding how the different moments of my life all lead back to this experience and may advance coherently from it would thus be a form of liberal learning.
I can only be conscious of words on a screen that ultimately reside outside my consciousness and what appears in it. Thus from the existence of phenomena, we can derive the existence of two other kinds of beings: consciousness and things in themselves beyond consciousness. Having arrived at this dualistic ontology (“being-for-itself” and “beingin-itself”), Sartre proceeds to describe more fully how these two kinds of being interact so that appearance can take place; in effect, he derives the being of Strangerhood 37 the phenomenon from this interaction.
Abstraction, in contrast, is signaled by the appearance of features that ﬂoat free of this project, provoking in us a basic perplexity. How should we understand these marks, or what the work as a whole is about? There is an impulse to dismiss such works as lawless, gratuitous, and so invalid because they are incapable of rewarding and sustaining serious attention to their features. ” At a time when the deﬁnition Strangerhood 31 and signiﬁcance of much subject matter was becoming tangled up with its commercial or propagandistic potential, a more intransigent, inherently aesthetic constraint announces itself in the work’s medium, more speciﬁcally, in its capability of presenting any subject matter at all.