By Georgina Masson
Six years after his first, very thorough, revision, John citadel has again to the duty, in order that this long-honoured guidebook, appeared via the discerning customer, on the grounds that its first book 40 years in the past, because the necessary creation to the glories of Rome, maintains to provide a correct photograph of the city's treasures as they're presently displayed. This most recent version of the advisor is immeasurably more desirable via the alternative of the outdated highway plans with new, transparent types of the itineraries that constitution a quantity which is still the unrivalled consultant to might be the main attractive and historical urban on the planet. John castle, who has lived within the urban for the earlier thirty years, walked each step of the routes defined so vividly by way of Georgina Masson, and plenty of extra in addition to. as well as checking and updating the data she supplied so inimitably, he exposed and describes a wealth of attractions which slipped her become aware of, and accompanies the customer via the entire significant museums and galleries as now prepared. the result's a consultant to that incomparable array of classical, Renaissance and Baroque masterpieces to be able to enthral first-time viewers to the everlasting urban and likewise pride the power returnee with clean notion and stimulation.
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Extra resources for The Companion Guide to Rome
Over on the other side we find ourselves in the Palazzo Nuovo and ascend the stairs in front of a heroic statue of ‘Hadrian portrayed as Mars’ to a long gallery, lined with statuary. Here there are no extraordinary works, but worth noting are, on the left side, a colossal statue of ‘Hercules’, and, standing high in a niche, the almost comic statue of the ‘Roman Matron portrayed as Venus’; she was a member of the Flavian bourgeoisie (69–91), who combines a gorgeous figure with a perfect fright of a face.
39 The Forum Plenty of inflammable material was lying close at hand, as the Argiletum, the paved street leading to the right at the far end of the Basilica Aemilia, was the Paternoster Row of ancient Rome, the centre of the booksellers and copyists. It was also the haunt of a much less respectable brotherhood, the pickpockets, who must have mingled with the crowds coming from the populous Suburra, to which the street ultimately led. Crossing the Argiletum we find ourselves in a small open space; indeed it seems very small to have seen so much history, as this is the Comitium.
In the following room is displayed the ‘Laughing satyr holding up a bunch of grapes’, a copy in red marble, rosso antico, of a bronze Hellenistic original, found at Hadrian’s Villa. This is the ‘Marble Faun’ which gave its name to Hawthorne’s famous Roman romance. Also in this room, on the left, there is a seated child, with delightfully pudgy legs and feet, who plays with a mask half-draped over his head. ). It is a copy of part of a group of bronzes by Epigonos, very celebrated in antiquity, erected in 197–159 bc by two kings of Pergamon, Attalus I and Eumenes II, to celebrate their victories over the Gauls.