By G. Elliot Smith

Каталог «Царские мумии» в своё время явился настоящим открытием в мире египтологии и ознаменовал своим выходом в свет рождение нового направления в изучении Древнего Египта. Автором данного издания была проделана титаническая работа, направленная на осуществление первых в мире массовых (сравнительных) исследований древнеегипетских мумий. Несмотря на достаточно большой срок, отделяющий нас от времени первого опубликования «Царских мумий», многие выводы знаменитого учёного по-прежнему продолжают сохранять свою актуальность вплоть до сегодняшнего дня. Читатель, владеющий английским языком, найдёт на страницах этой книги интересные факты из истории обнаружения и исследования мумий таких знаменитых фараонов как Яхмес I, Тутмос III, Рамзес II, Рамзес III и др., а также их жён и приближённых. Для тех же, кто не владеет английским языком, но интересуется вопросами Древнего Египта, книга будет интересна наличием огромного иллюстративного материала, представленного фотографиями тех, кто жил и творил историю больше three тысячелетий назад.

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H. = 79; Br. = 59; Th. = 8-Io. The somewhatcoarserclay is a beige-redcolour (E/F9); fine mica. 306 NIGEL SPENCER Background(outside):light-beige (D8). Decoration: matt black (A II). Pattern: 'Hour-glass' with remains of concentric semicircles;clear compass prick. Inside: colour of clay. PLATE 33 (B) I. (top left) Sherd from neck of an amphora (or jug); protrudingneck, handle base. H. = 87; Br. (below the neck) = 75; Th. 6 (on the neck protrusion = 8-Io). Clay (in the break):mid-brown (E II).

196 One of the most interesting finds, however, were parts of a square base which were recovered along with the torus. The square bases had been employed instead of the more usual spira element below the torus and the best parallels for this practice are again to be found in the east. 198 (c) CULTIC ARCHITECTURE The most complete record of Lesbian religious architecture in the archaic period is at the temple of Klopedi in the centre of the island, and it is often forgotten that this temple also is fundamentally un-Greek in the style of architecture which was employed, the so-called Aiolic' style of architecture.

Pattern: Remains of a lying, hatched, 'Hour Glass' motif in a gridded, vertical band. Inside: colour of clay (as in the break:E Io). 4. (middle,below)Sherdfroma thick-walled,closedvessel. H. 5i; Br. = 52; Th. = 7-o10. Clay (in the break):beige (D II);slightly micaceous. Background(outside):mid-brown (E II). Decoration: black/dark-brown(A 12). Pattern:Remains of concentric three-quartercircles. Inside: colour of clay (as in the break:D II). 5. (right, above) Sherd from closed vessel (possibly from the same vessel as B 2).

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